|
The visual style will be a mix of new and old, mirroring the
theme of the film itself. The film captures London
as a vibrant backdrop to the story and the personal
crossroads facing the characters.
Classic compositions are sought wherever possible,
adhering to established conventions for efficient storytelling, but with a
modern dynamism.
Comedy compositions will be used where appropriate; generally a wider shot is
preferred for comedy while drama will be shot in close-ups.
Shallow depth-of-field for all close-ups; longer
lenses will be preferred throughout for a "flatter" picture.
Shots will be beautifully lit for a cinematic look, with
creative lighting where appropriate.
Colours will appear natural, with grading leaning slightly towards a
warm and vibrant look.
Faces are important, as the character reactions are key to
understanding their motivations and following the beats of the story.
Various methods of camera stabilising will be used throughout
with hand-held camera used only where appropriate; no subjective camera
is envisaged.
|