VISUAL STYLE

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The visual style will be a mix of new and old, mirroring the theme of the film itself.

The film captures London as a vibrant backdrop to the story and the personal crossroads facing the characters.

Classic compositions are sought wherever possible, adhering to established conventions for efficient storytelling, but with a modern dynamism.

Comedy compositions will be used where appropriate; generally a wider shot is preferred for comedy while drama will be shot in close-ups.

Shallow depth-of-field for all close-ups; longer lenses will be preferred throughout for a "flatter" picture.

Shots will be beautifully lit for a cinematic look, with creative lighting where appropriate.

Colours will appear natural, with grading leaning slightly towards a warm and vibrant look.

Faces are important, as the character reactions are key to understanding their motivations and following the beats of the story.

Various methods of camera stabilising will be used throughout with hand-held camera used only where appropriate; no subjective camera is envisaged.

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